Archive for July, 2009

Clothilde Knitalong

July 30, 2009

I just wanted to let everyone know that the awesome Vanessa of The Fiber Fix is hosting a Ravelry knitalong of Clothilde, starting August 1st.  You don’t have to purchase yarn from The Fiber Fix to participate, but be sure to check out the shop!  The yarns are glorious, and Vanessa is super responsive and helpful.  I am saving up for a sweater’s worth of Tosh Worsted, personally, if I can ever settle on a color.  Yum!  The shop carries Malabrigo Silky Merino, the yarn recommended for the larger Clothilde, and also has a great selection of sock yarns, perfect for the smaller Clothilde.  Clothilde takes less than a skein of Malabrigo Sock and looks fabulous in it.

Anyway, if you’re planning on knitting Clothilde during that time and you’re a Ravelry member, sign on up, and you can have the support of your fellow Ravelers to help you along.  I’ll be checking in on the knitalong regularly and lending a hand where needed.

Happy happy!

July 27, 2009

First off, thank you for the kind reception to Clothilde!  It’s  been really amazing seeing so many people start on Clothildes right away, and I cannot wait to see pictures of all the finished results.  I’ll be posting in the near future about ways you can alter that pattern to your own satisfaction, but for now, just a big thank you!

Pie-cation was an enormous success.  You know how, sometimes, something gets so hyped up that when you finally get to experience it, it’s a bit of a let down, even though it’s good?  Yeah, well that’s not what happened with the pie!  It was actually the best pie I’ve ever had.  Fruity and crisp and not too sweet, but just sweet enough.   Perfection in a crust.

The weekend was spent in the beautiful Inyo National Forest, and zounds! but that place is lovely.  And peaceful and majestic and all the other tired adjectives we try to use to describe the truly sublime.  Nature beats language every day of the week.  I took what seemed like a zillion pictures, and if you’d like to see them, they’re here.

The return was spent preparing Clothilde for release, and then to celebrate, I went out and got my hair chopped off.  The long hair, while nice, was never really something that made me happy.  It’s the hairstyle I had in high school, and while it’s easy to care for, it never felt to me like it had much to do with my adult self.  I was torn on length, but with the help of my husband and the internets, settled on Jean Seberg in Breathless short.

See?  No hair!

That was a good day.  Right after getting my hair cut, I found my favorite shirt, which has been missing for more than a year, and which I thought had been left in a laundromat.  I washed it and wore it and then there was a knock on the door, and the DHL man was there with a package from Uruguay!  Malabrigo!

That’s Gruesa in Paris Night and Chunky in Hummingbird to make a sample of Salto from Book 1. There was also a surprise in the package.

That’d be a new test yarn: Superwash Merino, a worsted weight yarn that feels as soft as the original Malabrigo Worsted.  The color is Indiecita, and there are five skeins.  That’s 1050 yards.  It looks exactly as I’d imagine mermaid tresses to look, and it feels amazing.  I don’t usually go in for variegated yarns in a big way, and I don’t usually wear blues, but I think I might be making a sweater out of this stuff.  It is yummy!

Add to day spent shooting a short action film inv0lving a ferocious baguette fight, a weekend with friends, and a garden that yielded enough fresh veggies for a salad, and I’m a happy camper.

Clothilde

July 22, 2009

The Clothilde pattern is now available!  Thanks so much to my wonderful test knitters, Kate, Christine, Susanna, Bethany, Cyn, and Ellen, who got the job done in record time and gave me fabulous input to boot!  They are, to a woman, awesometastic.

Clothilde (pronounced kloh-TEELD) is a lace shawl knit in one piece from the center top outward. Utilizing traditional gull wing lace that flares into spear points at the edge, Clothilde is a good project for the intermediate lace knitter. With both written instructions and charts, knitters should be able to find their most comfortable way of following the pattern. The pattern can be easily customized by changing the number of repeats of either the Gull Wing or the Spearhead lace.

SIZE
Small: 48 inches wide, 20 inches long
Large: 70 inches wide, 32 inches long

MATERIALS
* 400 yds fingering weight yarn for size Small
(Shown in Blue Moon Fiber Arts Socks that Rock -
Mediumweight 100% merino, 380 yds per 100g skein)
Note: I used only one skein for my small sized shawl,
but I’d advise buying an extra skein for security.
* 450 yds DK weight yarn for size Large
(Shown in Malabrigo Yarn Silky Merino 50% silk,
50% merino, 150 yds per 50g skein, 3 skeins used
)
Note: Some test knitters were close to running out of yarn,
so again, buying an extra skein for security is not a bad
idea.
* 1 U.S. size 6 (4 mm) circular needle 24 inches or
longer for size Small
* 1 U.S. size 9 (5.5 mm) circular needle 24 inches or
longer for size Large
* tapestry needle

GAUGE
Small: 21 sts/32 rows = 4 inches in stockinette on size 6 needles
Large: 15 sts/24 rows = 4 inches in stockinette on size 9 needles

Buy it now for $6.50 USD!

Pie-cation! and things and stuff

July 17, 2009

So.  I had kind of forgotten just how awesome my weekend is going to be until I suggested to my husband that maybe I could go to a craft show this weekend, and he said, “No!  You’re getting kidnapped, remember?”

Oh, yes.  That’s right.  My incredibly awesome friend Christine is driving up from Southern California, dropping by to toss me in the back of her truck (or maybe the passenger seat if she’s feeling generous) and then it’s north to what is reported to be the best pie in the Golden State.  I repeat: the best pie in the Golden State.  Oh, yeah, and a gorgeous lake and really good Mexican food, and late nights ranting about the kids these days and the economy and oh, man, my back aches, and you have right there, the perfect weekend vacation for a curmudgeonly sort. Aw, yeah.

For all those who will claim that cake is the superior baked dessert, I say to you that you are unbelievers and that you are unclean in the sight of the pie, and anyway, you’re wrong.

So, that’s this weekend.  Pie-cation.

It’s been a pretty good week, too.  I’ve spent a lot of it tinking around with the Clothilde pattern, and my test knitters have been so incredibly wonderful and fast that I think it may well be released early.  I also started a third Clothilde, at the request of the tiny tyrant we call Eleanor.  Yes, I have more pressing knitting, but I’m finding that triangular shawls really fit this knitting sweet spot of easy to memorize without being boring, and I’m kind of addicted now.  I originally cast on a Juno Regina as my relaxing project, but though the pattern is Spectacular with a capital S, I made too many mistakes and had to rip. So another Clothilde it is.  To be knit by the lake, eating pie, with some rock throwing somewhere in there for good measure.

So very purple.

So very purple.

I got photos of the Thorpe I made for Mr. Kninja some time back.  The fact that he looks sort of unthrilled and uncomfortable in this picture?  My fault.  I told him not to smile and just to talk to me and act natural, and that resulted in a Very Serious Photo, sort of a hipster American Gothic thing that will confound our descendents.

I take my earflap hats very seriously.

I take my earflap hats very seriously.

Thorpe is a seriously awesome pattern, and if you haven’t knit one, or twelve, you need to get started right away.  I used a single skein of Cascade 220, doubled, but that cut it rather fine, so you’re probably better off with the recommended Malabrigo Chunky.

Oooh!  Speaking of Malabrigo, I will be knitting a sample for them from Malabrigo Book One, and I am so darned excited about this.  This is thanks to the amazing Malabrigo Junkies group at Ravelry, which also yielded up many of my wonderful test knitters, so if you love Malabrigo and are not yet a member of the Junkies, go join, because good things happen to you when you are a Junkie.  (But not when you’re a junkie.  Important distinction.  Don’t do drugs, kids.)

I don’t have pictures of any more of my knitting projects, so here are some garden pictures, because I’m in a stupid and bubbly mood and want to add more pictures.

The bitty ones are an Alpine variety, and the big one is one of the tenacious suckers leftover from last year.  Both are quite sweet.

The bitty ones are an Alpine variety, and the big one is one of the tenacious suckers leftover from last year. Both are quite sweet.

Weve eaten five artichokes so far this summer, and there are two more on the plant.  Artichokes are pretty much my favorite food ever.

We've eaten five artichokes so far this summer, and there are two more on the plant. Artichokes are pretty much my favorite food ever.

The celery is technically out of season, but seems unaware of this fact.

The celery is technically out of season, but seems unaware of this fact.

Have a marvelous weekend!  I hope yours is pie-filled as well.

Detective work

July 15, 2009

Knitting entered China on the back of a camel.  According to the academic Owen Lattimore, after the defeat of the White Army during the Russian Civil War, the monarchists retreated into China, where, as China fell into its own civil war, they were transported by camel to the eastern end of China. To pass the time, the Russian soldiers taught the Chinese camel pullers to knit.

White Army officers, some in sashes

White Army soldiers

That Russian soldiers were knitters should not perhaps be surprising when you consider that knitted stockings had been a uniform requirement since as early as 1630.  By the 18th century, officers wore knitted silk sashes.  While most of this knitting was done by hand knitters in the western provinces, it’s certainly possible and even likely that the soldiers themselves may have been doing some of the knitting and darning required to keep them in stockings and sashes.

In any case, the camel pullers took up knitting with a will.  Lattimore observed that, “they would reach back to the first camel of the file they were leading, pluck a handful of hair from the neck, and roll it in their palms into the beginning of a length of yarn; a weight was attached to this, and given a twist to start it spinning, and the man went on feeding wool into the thread until he had spun enough yarn to continue his knitting.”

Peking, 1946

Camel puller, Peking, 1946, Silk Road

China already had a long history of extraordinary textile production, of course.  Even before the opening of the Silk Road, which made trade between Europe and Asia a matter of routine, expensive silks and woolens had made their way West through complex trade organizations. Treadle looms had been in use in China from perhaps as early as 2000 B.C., creating fabrics that wouldn’t be possible to create in Europe until the 11th or 12th centuries.

Mary Thomas claims in her comprehensive Knitting Book that knitting came from the Arabian peninsula, so it seems odd that knitting would have avoided China until the early 20th century, considering the trade between China and the peninsula and the fact that early knitting seems to have been done with silk.  However, within the same book, Thomas notes that there is no trace of knitting in China or India prior to European influence, and that perhaps with their own rich textile traditions, no need for knitted fabric was felt.

Though Lattimore’s romantic story of camel pullers knitting from the backs of their camels is very appealing, knitting had in fact been introduced to China prior to the Russian Civil War.  China’s first hosiery factory was established in 1902, and by 1912, power driven knitting machines were being imported from the West.  By 1913, the New York Times was reporting on the popularization of knitted stockings in China.  Hand knitting, however, did not become widely popularized until after World War II.

Fashion designs for handknit woollen garments, 1924

Fashion designs for handknit woollen garments, 1924

The reason I found myself searching for traces of Chinese knitting past is that I’ve been trying to connect my loves of history, place, and knitting together recently.  I live in California, in the San Francisco Bay Area, and unlike knitters in Shetland, or Turkey, or even parts of the Eastern United States, there is no unique knitting history associated with my part of the world.

I’m currently reading a very interesting book about California history, and, as in any book on the topic, I cannot help but notice how very much Asian influence has shaped San Francisco and its surrounding climes.  The Chinese influx in California at the end of the 19th century and the beginning of the 20th was both deeply needed and deeply resented by the white Americans in California.  Because of the racial tensions, there wasn’t originally much integration between communities.  And I found myself wondering how this influx had influenced women in California.

Most of the women in the Bay Area during the mining boom were of Chinese origin, and many were slaves, sold or kidnapped into prostitution.  By the time of the great San Francisco fire in 1906, the state was a state and had set restrictive limits on Chinese immigration.  Ironically, the fire’s total destruction of Chinatown led to a greater openness in immigration policy.  Since immigration laws limited immigration to those with family ties with Chinese relatives already in America, the complete loss of paper records meant that a booming business in “paper sons” was born.

I had assumed that this ebbing and flowing population might have brought with them some new traditions in handicrafts and perhaps introduced new knitting techniques to the location, but if the record I was able to find can be believed, knitting was still in its infancy in China at this period.  I’m making the assumption that American Born Chinese were familiar with the tradition, but have been unable to find any connection to knitting history and the Bay Area as yet.

Further reading:
Dolores Bausum, Threading Time. Texas Christian University Press, 2001.
Antonia Finnane, Changing Clothes in China: Fashion, History, Nation. Columbia University Press, 2007.
Owen Lattimore, The Desert Road to Turkestan. originally published in 1929.
Mary Thomas, Mary Thomas’s Knitting Book. Dover Publications, reprinted in 1972.
David Wyatt, Five Fires: Race, Catastrophe, and the Shaping of California. Addison-Wesley Publishing Company, 1999.

Diamonds and lozenges

July 13, 2009

Clothilde went out for test knitting midway last week (thank you, testers!) and I hope to have the pattern out sometime in early August or thereabouts.

You may remember that earlier this year I declared my intention to try to return to old patterns, to update and revise and improve.  Maude Louise was the first in that queue, and it’s been slow going beyond that, but this month I returned to my sad and neglected Textured Toddler Tank, soon to be changed simply to Textured Tank.  The original was a bit of a problem.  I never got good pictures of it, and the one size was pretty unspecific.  The leftover yarn I used to make it, Lion Brand Wool-Ease, was not super comfortable directly against the skin.

The Textured Toddler Tank is the most neglected of my patterns, and for good reason: it’s vague, and the pictures make it very hard to see what on earth you’re meant to be getting at the end.  But I love the Diamonds and Lozenges stitch pattern used in the original, and I love the idea of a simple tank top with a lot of knit/purl texture, so I figured it was time to return to the Textured Toddler Tank.

About the only part of the original pattern that I kept was the Diamond and Lozenge stitch pattern and the garter straps that button in back.  Now tunic length, knit in the round in Classic Elite Cotton Bam Boo, the tank has a very different feel than before, both literally and figuratively.  I probably should have made the straps a bit shorter than I did – they have a disconcerting tendency to stretch – but otherwise I’m very happy with the result.  I’d intended to include the original picked up picot edging, but Eleanor thought otherwise, and I’m always happy to go simpler.

The Cotton Bam Boo is very nice to work with.  I’m not a big fan of cotton yarns most of the time, and had been very hesitant to use this, but feeling a lovely sample at K2Tog convinced me otherwise.  It’s nice and drapey yarn, though like many cotton or bamboo yarns, it does want to follow the force of gravity.  It’s also a bit splitty, but I thought this was a small price to pay for a yarn that feels so good against the skin.  I used far less than two skeins for this project, so although I was concerned about price at first, I felt that the end result was very reasonable.

I took a failed idea from an old project for the back.  When my Lace Camisole (from Sarah Dallas’ Vintage Knits) came out too large, I pleated the back and sewed it up.  In that case it was a bad mistake.  The whole project was simply too enormous to be significantly improved by a pleat.  In this case, though, I think the pleat finishes the whole project nicely.  It is, admittedly, sewn and not knitted, though I’m sure some clever person could figure out how to knit it in.  Me, I’m not feeling especially clever this weekend.  All my brain power has been used on cleaning up.

I had a much more intellectually stimulating post all lined up and then found that the research I was trying to do for it led away from my point rather than to it, so that will have to wait.  In the meantime, enjoy the pictures!  I will be rewriting the tank pattern fairly soon, and the old tutorial will be left up regardless.

Beetle Tracks

July 9, 2009

The Beetle Tracks scarf pattern is now available for purchase!  Thank you to all my test knitters!

Beetle Tracks is a simple lace and cable scarf, perfect for small amounts of soft yarn! Shorter than a typical scarf, it’s still long enough to wrap around once the neck and secure. The stitch pattern is simple to memorize and becomes very soothing after a time. If you’ve never done cables or lace, this is a gentle start in each. Quick gift knits, and once you’re used to the repeats, a perfect TV project!

For a better idea of length, here’s a photograph of me wearing it.

SIZE
Finished Width: 4.5 inches
Finished Length: 56 inches

MATERIALS
* 220 yards sport weight yarn
Shown in Knit Picks Andean Treasure in Embers
* 1 set U.S. size 5/3.75 mm needles
* cable needle
* tapestry needle

GAUGE
21 sts/28 rows = 4 inches in stockinette stitch

$1.99 in U.S. dollars.  Buy now for PDF download!  Also available at Knit Picks.

Peek the second

July 2, 2009

I’d hoped to have the pattern for my new shawl ready for test knitting by today, but unfortunately, I still have a little way to go.  It’s mostly ready, though, so yay!  I just wanted to make two options for size and while the charts are ready, I figured it would be handy for knitters of all stripes if I had written out instructions as well.

My sister kindly modeled for me to get some shots of the finished piece.  I may need to shoot her again (wow, does that sound creepy!) but in the meantime, enjoy!

At this point, the shawl is tentatively called Clothilde (pronounced kloh-TEELD).  My naming process for knits involves a combination of sheer nerdery and a certain randomness.  I tend to start with a basic impression that I personally get from the knitwear.  In the case of Pauline, for example, it reminded me vaguely of something a flapper might wear.  I knew I wanted to use a feminine given name for it, and so I looked at names that were more common among the girls born in the early nineteen hundreds.  To make sure it evoked a particular time (and this is terribly subjective, to be honest) I looked for a name that was not nearly so popular after that period.  Pauline leapt out at me as a name that sounded cute and spunky and old fashioned, so I used it for the hat.

In this case, the lace of the shawl reminded me of spearheads.  I saw the long columns of gull wing lace coming down into points that were more triangular at the top and then took on a more organic teardrop shape, and in the colors I used, both of which remind me of metal, it made me think of spears.  I still wanted a feminine name, I thought, so perhaps one that evoked the spears.   I preferred a Latinate name or an Turkish one, because the shapes also reminded me of Spanish or Turkish tiles.  Unfortunately, most of the names I found referring to spears were Germanic or Celtic, and on top of that, Gertrude (“spear of strength”) just didn’t sound right for my shawl.  So I expanded from the spears and went for something warlike, which is how I came to Clothilde (still Germanic in origin, but Francofied on its entry into France).  All names ending in -hild or -hilda are feminine Germanic names referring to war.  Many of these names sound very heavy in English (Gunnhild, Reinhild, Irmhild, Brunhilde) but there are some, like Matilda, that have been softened by passing through a few languages and iterations.  When I came to Clothilde (“famous battle”), I felt like I’d found a good fit.

This isn’t my favorite picture from the shoot, but it gives you a pretty good idea as to size.  This is really a very large shawl, but even in the DK weight yarn, it’s light enough to be worn comfortably in a variety of different ways.

Like so.

I’m writing up the pattern for the large size and for the small shawlette size I made with the sock yarn.  I am leaving in the improvements I made in the charts, so the written version will not be identical to the small shawlette pictured here, but the size will be very similar.  I don’t know if the differences between the large and the small are clear in these photos, but all the changes happen around the center “spine” stitch, and it’s a matter of placement as regards the spearhead shapes, which I think is much improved in the large size version.

While the changes won’t be enormous, I don’t want to mislead anyone into thinking that it will be exactly the same as the shawl pictured here.

May I mention again how very much I love this color?  Good heavens!  It is glorious stuff.

You can click through on any of these pictures to get to my Flickr stream, where there are a few more photographs.  I’ll keep working on the pattern and get it out to my test knitters as soon as possible.


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