Archive for May, 2009

Rustic

May 21, 2009

Muench Sir Galli, now discontinued, is a silk tweed, and while it’s not actually practical for rustic use, something about it, from the subdued natural tones to the tweedy flecks and nubs, screams rustic.  It has a gnarled, woody look, and when I finally made use of it, I felt that I wanted to turn that woody look to the advantage of the garment.

This isn’t the most practical cardigan I’ve ever made, but I’m excited nonetheless, because all the elements of this experiment worked out rather as I wanted them to.  I had a vision and the end result looks an awful lot like that vision, despite a certain lack of knowledge when it comes to shaping lace.  You can see that in the rumply shape of the front panels, but the raglan shaping itself went very well.

I need to get a picture of the back of this so you can actually see the Fir Cone lace.  It’s a fine old Shetland pattern, closely related to Razor Shell and Fern lace, but it doesn’t lie as flat as either of these.  This is where the silk yarn came in handy: the sheer amount of drape causes the lace to lie relatively flat, something I don’t think would be possible in most fibers.

As I said in my last post, I have no plans to write up a pattern for this one, but I do like the construction enough that I’m planning a similar garment that will be written up.

I’m still unwell and still on crutches, and am overall unhappy with my body and its inability to stay healthy for any space of time longer than a month.  The crutches are leaning against a nearby wall in the above photo, and to be honest, soon after it was taken I was too tired to stay upright.  It’s just a bit discouraging.  Use of the crutches creates pain in parts of my body other than my foot, and then my fibromyalgia flares up and I’m exhausted and painful all the time.  It’s making me crabby.

I have deeper thoughts, mostly inspired by Emily, that need to be written through, but I’m afraid I’m too tired to get to them now.  So for the moment, it’s just the new sweater!

Catching up with Project Spectrum

May 13, 2009

I have had a rough time of it lately in terms of health.  I was sick for a time (though not with swine flu – yay!), and then I hurt my ankle and now I’m on crutches.  I’ve been largely confined to bed, so I haven’t really been as up on things that require being upright, such as sitting at the computer.  (I had the iPod in bed, but that’s very hard to type on.)  Anyway, this means that all my Project Spectrum North projects, cast on last minute in mid April or later, have gone unposted until now, when we’re in Project Spectrum East.

Dishcloths?  Oh yeah, baby.  That’s right.  I got yet hardcore dishcloth action right here!

Honestly, I never really imagined myself knitting dishcloths, but I came into a small amount of dishcloth cotton over time, and last month I decided to use some of it up.  I have to admit, while not the most exciting thing to make (rectangles that will eventually be covered in grime) they are much, much nicer to use than my usual pile of rags from hacked up tee shirts.  In both of these instances, I picked a simple knit/purl stitch pattern and just went with it.  No edging, just two kinds of basic basketweave.  The texture actually makes them very useful for cleaning.  Can you tell which one’s been washed?

I also made a hat for Mr. Kninja for next winter.  He’d been eyeing the leftover green yarn from Liam’s rainbow jacket, and while I knew he wanted a Thorpe or other ear flapped hat, I didn’t have enough left for that.  I chose Turn-A-Square, and used the remnants of my Chasing Rainbows Superwash for the stripes.  It reminds me oddly and intensely of Oscar the Grouch.  It’s just such a nineteen seventies Sesame Street sort of hat, what with the bright colors and the stripes.  I really love this thing…it just suits Mr. Kninja to the skies, and it’s so cheery and odd.  The stripes are actually really close to Mr. Kninja’s skin tone, which adds to the funny overall look.  It’s like he’s trying to camoflauge himself in a crayon box.

Finally, another project for Mr. Kninja.  The Lady was kind enough to meet up with me and teach me Magic Loop, and this is what I’m making with my new ninja skills.  I am so loving the Magic Loop, and kicking myself for not learning it earlier, after all these years of posting vaguely about how I should probably learn.  The toes on these socks are leftover Smooshy from my Spring Green top.  The rest is yummy Trekking.

I am afraid Project Spectrum North just zoomed by for me.  I love green!  I felt so ready for green and North and all the ideas connected with North, but somehow it just kind of passed me by, with only these last minute projects (and one still secret project) to show for it.  However, that’s not the case with Project Spectrum East.  Oh no.  I am so ahead of the game on this one.

This indistinct heap of knitting is a project that hit me quite suddenly this weekend.  Since I was laid up anyhow, I decided to just go ahead and start it.  It’s in every way connected with the themes of Project Spectrum East.  From the Project Spectrum Ravelry group page:

EAST (May/June)
Color: Yellow
Material: Wood
Season: Spring
Element: Air

The project you see here is a spring layering cardigan in butterscotch silk tweed with a woody look and an open, airy lace pattern on the top half.  It’s not as yellow as a project I have in mind for later, but I just couldn’t resist starting right when inspiration struck.  I have very few urgent projects on the go at the moment, and it seemed like an opportunity for spontaneity.

The lower half of the cardigan is knit sideways in one long strip.  The upper half is a Shetland fir cone lace – very puckery, but I think the silk will flatten pretty well.  It’s all got a very rustic, outdoorsy look.  I made large short sleeves, which are just now being attached, and I’ll be finishing it up with a raglan construction.  I’m afraid I have no plans at all to write up a pattern, though.  It’s really very improvised, and I think my method of dealing with the lace is pretty amateur.  I may write up a similar pattern later, but not this one.

Still, I’m very excited about this project.  I only started it this weekend and I’m almost done.  I hope to have modeled pictures (sans crutches) soon!

Shorn

May 11, 2009

On April 26th, we went to Sheep Shearing Day at Ardenwood Historic Farm.


We arrived after the shearing itself was over, but still in time to see plenty of formerly woolly ruminants looking svelte and wary after their haircuts.  The sheep in this photo are keeping a close eye on the border collie crouched at the edge of the field.  She herded them all into a trailer for travel to another field shortly after I snapped a few pictures.

The Ardenwood sheep are a mix of breeds, and unfortunately, I didn’t write down which ones, though I think some are Corriedale.  Whatever the case, while there were some fleeces that were not as appealing, many were long staple with a heavy lanolin scent and a beautiful hand.

Ardenwood is run as a Victorian era California farm, with a working horse drawn railroad, a variety of animals, and crops in regular rotation.  It’s a lovely weekend destination for Bay Area families, and it was a real pleasure to go there again.  We hadn’t been in over a year, and it was nice to see so much going on.  The costumed park attendants were hard at work sorting, combing, carding, and spinning the wool, and the kids got right in on the action.

Gabriel found the looms fascinating and spent a little time learning to weave.  The little loom had a very simple cloth pattern on it, but there was a more complex one further down the table.

Liam and Eleanor were more excited by the carding, which was being done on a hand cranked machine.

In the barnyard, we arrived just in time to feed the newly shorn sheep.  While the adult animals looked a little eerie with their short cuts and alien eyes, the lambs were as charming as only lambs can be, and all were only too glad to accept handfuls of timothy and alfalfa from the children.  The Ardenwood staff make it clear that you are to drop the food where they can reach it, but several times an overzealous sheep pulled it from an outstretched hand before it was let drop.  Eleanor was accidentally kissed by a sheep and was made very happy by it.

All in all, it was a delightful day.  The weather was perfect, and the outdoors and the animals and the space and the children all conspired to make a perfect time out.  It was hard to ignore the fact of work, though, in this family outing.  While we missed the vigorous act of sheep shearing, the outspread fleeces and heaps of wool bespoke a long and arduous journey from sheep to cloth.  The woman I spoke to told me it would take the entirety of the coming year to spin all the wool.

Because Ardenwood is a living museum of times past, all this work is and will be done by hand.  And while for most of these days, handiwork is a luxury, for the Ardenwood staff it’s a job.  The woman I spoke to was a spinner.  She told me that she’d done it for pleasure for many years, but that working at Ardenwood had dulled her pleasure and that after she left, she’d actually given it up for a time.  She’d only returned to spinning after a break of several years, and only returned to the farm last year for the shearing.

This, to me, is an interesting part of the history of handiwork.  It’s a very enjoyable activity only when it’s not an intensive daily slog.  As a small child reading Anne of Green Gables or Little House on the Prairie, I remember being struck by how much Anne and Laura hated sewing, an activity that sounded interesting, fun, and relaxing to me.  But it wasn’t as though I had to sew a stitch if I didn’t want to.  Any sewing I did was unskilled and done solely for the pleasure of doing it.  Anne and Laura both achieved competence and even mastery in the craft, but neither enjoyed it because it was something they had to do even though they had no real interest in it.  This is much how I feel about vacuuming or cleaning the kitchen.  I might even enjoy the results of my labor, but the labor itself is not something I want to think about.

Ardenwood is beautiful this time of year, and for idle adventurers like me and mine, paying a small fee to go and harvest corn or card wool or feed livestock is a joy.  For others, it’s work.


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