Archive for December, 2006

Crabby, crabby, crabby

December 20, 2006

Moving at the speed of lead, I’m in a race against time to finish all my Christmas gifts. Some of them aren’t going to be done. It’s making me very grouchy.

I thought I’d have Maude Louise completely done and ready to show you today, but there’ve been a few unexpected disasters. I was so proud of myself for finishing the button bands, but it wasn’t totally obvious until I added buttons that they have one or more of the following flaws. Guess which ones are real!

A. The button holes are unevenly spaced.
B. The buttons I bought are too small.
C. The button bands themselves should be wider.
D. Creating the button bands opened a vortex into a dying universe, and now I’m trapped on the other side while a doppelganger tries to adjust to life in our world, and my only hope is to find the mysterious Object of Power and take it to the center of their world in order to return things to the way they should be.

If you guessed A through C, you’re right. If you guessed D, then you have a wonderful and creative imagination that I hope you’re putting to good use. Or you’re crazy. I’ll let you decide on that one.

Gaaaaaah! I have to do the button bands all over! I feel like crying, ala Lucille Ball, thusly, “Waaaaaaaah!” Stoopid, stoopid button bands. I hate you so. Anyway, when I was grumpily ruminating on the unappealing prospect of redoing the button bands, I dozed off, and I had a weird thought that might be a good solution. I can at least try it, since it’s now clear I won’t be able to wear Maude Louise down to Christmas and impress all my relatives. I am going to make the left button band wider than the right and I’m going to either make tiny i-cords or buy some pretty ribbon, and I’m going to make a series of little ties down the front. It might look horrible, but considering that I have to try something new anyway, I might as well try this. I subscribe to the school of failing hugely if I’m going to fail at all.

In other news, I whipped up some very fast fingerless armwarmer thingies with cables. Nothing very impressive, but I think my friend Christine will like them muchly. I will post pictures and a pattern for them soon, because I think they’re a good, inexpensive last minute gift. They look bizarrely like a hip version of the wrist splint I had to use when I sprained my wrist earlier this year.

I’m finishing as much as I can today. I’m finally going to finish the stupid dog coat I’m making for my sister. It’s weird to return to a knitting project I started so long ago, because I can spot all my many mistakes so much better than I could then. Still, it will be done.

I also need to whip something up for my dad. The cushion goes horribly, because while the fabric produced is nice, the two yarns I twisted together are too fluffy and sticky, and they move like molasses through the needles. I may make him an iPod cozy instead.

Gabriel’s intarsia sweater is progressing, but will not be finished. Damn. And I already knew the Seamless Hybrid wasn’t going to make it, but hope is a tease, and I was secretly hoping that maybe, just maybe, it would be a late addition to the heap. Nope.

So, yeah. Crabby.

Who I used to be

December 17, 2006

People often ask me how I find the time to knit.  I have three children, and I’m home with them full time, and for whatever reason, many people seem to find this incompatible with a hobby.

The answer is that knitting fills a hole for me.  Before I had three kids – before I had any kids – I was an art student majoring in illustration.  So was my husband, actually.  That’s how we met.  He was a senior my freshman year at art school.  He was leaning toward animation by that time, and I was painting a lot, and tending more and more toward oil paintings.  I never achieved the level of proficiency I wanted.  When I got pregnant with our first son, I left art school.  I was actually planning on leaving anyway.  Art school is a strange little racket, and I found that it didn’t satisfy my craving for intellectual stimulation.  I had also found that oftentimes, art school professors are hired because they are successful, but not too successful, artists which is all well and good, but does not mean that they know how to teach.

So I got pregnant and left school, which wasn’t how I’d intended to leave, but it was a way to leave.  We moved across the country, and I knew that while my art career was temporarily on hold, it was not over.  I knew I had the dedication it took to stick with it, however hard it might be.  I knew it and knew until a few years passed and I realized that I wasn’t painting anymore.

Some people do push on.  It’s difficult.  Oil paints are toxic and sometimes take hours to set up.  They sometimes take hours to clean up afterward.  They never technically dry.  And I don’t have a studio.  But if I’d been more determined, more capable, and more of an artist, I wouldn’t have just quietly quit without noticing.  I was a good painter, but I wasn’t a great one, and looking back, I wasn’t ever going to be great.  Just good, which is fine, but not what I wanted out of life.

This is a detail of my favorite painting that I did at art school.  It was a self portrait, good, but not great.

Anyway, there was a big hole in my life when I stopped painting.  For a while, I made huge elaborate meals, until I realized that I was trying to replace art.  Then I tried to get back into art, using acrylic, watercolor, charcoal, and pencil instead of oils.  I thought that might work, but I’d become so self concious, and those just aren’t my mediums.  I started comparing my work with Mr. Kninja’s, which was an unwise thing to do.  He’s a very talented guy.  Eventually I turned to making things that I could pick up and set down while they were still in progress.  Knitting is the best substitute I’ve found so far for fine or commercial art.  I don’t feel guilty when I’m knitting because I can do it between other activities or while I’m doing something else.  I don’t feel guilty because the end result is something tangible and practical.  It’s a wonderful activity, and I love it, and I can do it and still be a fulltime mom.

I have tried other ways to keep my art going.  Until the 12th of this month, I ran a little webshop at spiffygrits.com.  I still own the domain, but I’m not a business person, and the shop was a dismal failure.  I used it as an excuse to draw, though, and I made a lot of weird little tee shirt designs and it was fun.  I don’t regret my failure so much.  It was never my dream to make tee shirts, but it was nice to have a reason to draw and not to feel like I was being self indulgent.

A few Spiffy Grits designs:

Today, I’m not really trying to be an artist.  Some day I would like to return to painting, but I don’t want it for a career.  I want it to be something like what knitting is to me now – something that brings me a lot of pleasure and something that I love and do lovingly, but not the focus of my life.   What that focus will be, I’m not 100% sure.

My passions now, though, are different than they were.  I just finished the first draft of my first novel, and writing gives me a sort of satisfaction that nothing else does.  It’s a way I can spread out and, although it’s not necessarily clear here, I think it’s a place where I have more ability than I did as a painter.  I’m passionate about history and research and women’s issues.  I’m going to be 28 next month, and I still haven’t finish my undergraduate degree.  I haven’t had a high powered career – just a few little essays published in odd places or broadcast on the radio.  I haven’t become great.  But I feel like I’m going somewhere now, and that part feels good.

So, back to where I started, I find the time to knit because if I didn’t, I’d be profoundly unhappy.  Making things is part of who I am and who I used to be.  If I don’t make things I become depressed, or worse, I destroy things.  I must have something to do with my hands.  Right now, knitting is my best option, and I love it.  I don’t think I’ll ever quit knitting, because I don’t see any reasonable necessity for it.  This may sound like a depressing reason for knitting, but honestly, it’s a part of my life I really do love, and even though it turns out that I am not an artist, even though my first passion will not be my last, I don’t think first love is always all it’s cut out to be.  I had a youthful perception of art, a romantic ideal, and now I find that I just don’t want that.  The romance of art is what makes it somewhat unappealing to me now.  Knitting has a practical, stodgy reputation that means it is largely overlooked by the fine art world.  (Fiber arts was the department at my school that was vaguely looked down upon by many of the fine artists.  It was populated almost exclusively by women, many of whom were doing very innovative and exciting things with looms and sticks and strings.)  As long as knitting makes me as happy as it does now, I’ll be at it.

Oh, the possibilities

December 16, 2006

Venezia is everywhere lately, it seems. And why not? It’s drop dead gorgeous. I finally picked up my copy of the Winter Interweave Knits today and got a look at the pattern in person. Be still my heart! It’s wonderful, truly. That brocade color pattern is magnificent, and the way the colors flow into one another reminds me of Bohus knitting, though the color changes in Bohus were usually kept to more limited stripes and yokes. Venezia has an allover brocade that gives it a distant and classic look, but the shaping is purely modern.

I am not going to have time to knit Venezia until spring, but that didn’t stop me from making some color charts based on the chart designed by superstitch that allows for a more limited palette (and thus a wider range of yarn subs). Like many knitters, I simply can’t afford to spend over $100 on a sweater, not even a spectacularly gorgeous sweater like this one. So, with the limited colors presented by some more afforable options, I made the following charts. Let me know which one you like best, and feel free to grab one for yourself if you like any of them. I used primarily autumn tones, as those are the colors that look best on me. For people who can actually wear such colors as pink and purple, check out some of the great charts over at Knittin’ Bayou.

The cheapest option for subs is Knitpicks Palette. It’s not a purely satisfying choice for a number of reasons, but it’s certainly afforable, and some of the colors are very pretty. I made three charts using the colors from the Palette line.

Knitpicks Palette Option 1

Knitpicks Palette Option 2

Knitpicks Palette Option 3

I also made a chart using some of the colors of Knitpicks Essential.

Knitpicks Essential

Elann has some great yarns, too. Here’s an option using their Peruvian Baby Cashmere, which is a prodigious bargain for a cashmere blend yarn.

Peruvian Baby Cashmere

And finally, I made another version using some of the colors of Elann’s Peruvian Baby Silk.

Let me know what you think! I may post some more options later using Dale of Norway, Knitpicks Telemark, or Elann’s Devon.

Pinguino Chart

December 14, 2006

Belatedly, here’s the chart for the penguin hat.

The black circles are intended to be knots or cross stitch. You can see that it’s hardly the most innovative chart, but if you want to use it for anything, feel free. Enjoy!

Scare

December 13, 2006

I had intended to post sooner than this.  I have some new mohair, a gift, that is dying to be photographed and shared.  I have made progress on a lot of projects.  I’ve checked a lot of wonderful knitting theory books out of the library.  But life intervened, in the form of my little guy coming down with a severe illness.

On Sunday, he had a cough, of the sort that causes almost no worry at all, except that you think, “If this gets worse, he’ll be missing school tomorrow.”  Sunday night the cough turned into a wheezing, shivering, terrifying thing, so sudden and scary that I thought he was exaggerating or faking at first.  It took a long time for Liam to fall asleep, and when he did, instead of getting better, it was merely more obvious how bad off he was.  He was struggling to breathe.  Based on previous experience, I try not to go to the ER late at night, so my husband and I spent a long and scary night watching him in shifts.  In the morning he wasn’t much better at all, so we took him to the ER.  We probably should have taken him sooner, based on the way they rushed him in.  I’ve never been to the ER and seen anyone get admitted so fast.  The words “severe respitory distress” were spoken and then we were told that Liam was going to have to be transferred to another hospital where they had pediatric respitory specialists.

One ambulance ride later, he was at a second hospital.  He’d gotten a breathing treatment at the first hospital, and was already a lot better off than he was when we brought him in, but it was still scary.  Long, long, long day, which was spent at his bedside, and then my husband brought our other kids over, and I took them home, while my husband spent the night with Liam.

He’s home today.  This was up in the air for a while, but he ended up being allowed to come home, and he’s 110% better, with just a little gasping remaining.  What happened is still unclear.  It seems to have been an asthma attack, but he’s never been diagnosed with asthma.  It may have been caused by a virus.  It may have been caused by inhaling something, like popcorn.  It may have been caused by undiagnosed asthma.  Whatever it was, it was very scary, but he’s going to be all right.  And after all of that, I can’t help but be enormously grateful.

This is thoroughly frivolous, but it’s the only good thing that happened yesterday.  I apparently knit frantically when I’m anxious, so I made most of a sleeve for Maude Louise.  I’m very glad I brought some knitting to the hospital, actually, because it kept me sane, and it occupied my hands when I didn’t feel very sane at all.

Sugar shock

December 5, 2006

Pattern: Short sleeved sweater from Erika Knight’s Simple Knits for Little Cherubs
Yarn: Rowan Yorkshire Tweed 4 Ply, color Oceanic
Yardage: 4 and a quarter balls, about 510 yards
Modifications: altered collar

So that’s the sweetest little sweater in the world, for the sweetest little girl in the world. There’s nothing complicated about it, but every inch of this pattern is classic and elegant and lovely, from the fitted sleeves to the buttoned neck, to the little flower embroidery on the front. The pattern was not difficult, but it did take a while thanks to the fine gauge of the yarn and the exciting adventure in which I ran out of yarn. Thankfully, it seems that all of the yarn left was from Rowan’s last dye lot. Notice where the yarn from England ends and the yarn from Yarnzilla begins? Exactly. It’s from the same dyelot. Yay! I have one and three quarters skeins leftover, too.

Eleanor picked the button. I was going to go with a mother of pearl button, but she wanted this pretty purple one, and I’m glad she picked it, because I like it with the embroidery.

This, by the way, is the closest to the true color that my pictures have come. You may have noticed a common background in my photographs – it’s my bedspread. The best light in our rather dark and unattractive apartment comes in through the upstairs bedroom window.

Here’s a closeup of the embroidery. I’d never done embroidery before, but it was pretty easy and very rewarding.


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