Archive for October, 2006

When you have a hammer

October 31, 2006

This weekend, I got word that my grandfather was in the hospital. He is my last remaining grandparent, and at 93, he is a remarkable man. He has not yet retired from his job. He is kind and gentle. He makes people feel at their ease and has the largest and worst supply of puns of any person I’ve met. And he’s not entirely well right now.

It’s at times like this that I find it difficult to be living so far away. I’m not terribly at ease with the telephone, and Grandpa is somewhat deaf. If I lived closer, I could make soup or help my mother in helping him, but as it is, I feel helpless at a distance.

So, for whatever reason, I knew I had to make him a scarf. I’m a little more than halfway done with the Ropes and Ladders scarf from Pieknits now. I used the yarn I’d bought for my hat. It’s the right colors, and there was exactly the right amount of yardage for the scarf, so it seemed like fate.

Why do I think a scarf will help? I don’t know, but he’ll know I’m thinking of him and that I love him. The colors of the scarf are very like those that he and my grandmother used when they redecorated the living room some years ago. My grandmother is the person who began my knitting education, nearly 20 years ago, when I was eight and squirrelly and couldn’t do more than a wobbly garter stitch that grew and grew as I accidentally added stitches to each side. I inherited most of her wool when she died and I know we all miss her terribly. Maybe, in some way, I can repay this gift she gave me by using it for her husband now.

Or maybe I just feel helpless and far away and I have a hammer, so the world is made of nails.

Grandpa is going home today. I love him, and I’m thinking of him, and I’ll be sending him a scarf in a few days. Get well.

Frame-up

October 29, 2006

Reproductions of Faye Dunaway’s costume in 1967′s Bonnie and Clyde seem to have become a staple in blogland. There is, of course, Eunny Jang’s beautiful twisted stitch sweater, but I’ve also seen some stunning examples at Knit Lit and Stitch in My Side, as well as a Tahki pattern that seems to fit the bill. They are all beautiful, and I love each and every one of them. But what I have not seen is this.

Bonnie Parker

That is a photo of the real Bonnie Parker, taken while she was on the run from the law. I’m not one to romanticize crime overmuch, and I don’t know what to think of Bonnie and Clyde (he sounds to have been pretty darn brutal), but hot damn, that is one lovely sweater, complete with interesting short sleeved cardigan. I like her skirt too. I don’t know if I am issuing a challenge or making an announcement. I don’t suppose I have enough readers to issue a challenge, really, but I would love to see a pattern for this sweater. If none surfaces, I may have to make the attempt myself at some future date.

Anyway, however one may feel about Bonnie and Clyde, the criminals, their demise, or the movie based on both, Bonnie seems to have inspired and worn some fashion worth preserving. Perhaps it is emblematic of the vagaries and papercut-deep nature of fashion that I’m more interested in what Bonnie Parker wore than what she stood for and what she did. I’m not proud of it, but I’m still intrigued by her sweater.

Error message

October 26, 2006

The errors began when I cast on for Maude Louise and decided to use a wide rib for the bottom edge, which ruled out my original plan of a sort of rounded skirt like ruffle below the button band at the waist. That was fine, though, because I didn’t mind the new look, even if it was vastly different from my original sketch. I plunged ahead, learning as I went. And mostly, it’s all turned out as calculated. My math has been right (!) and the gods of alpaca, merino, and silk have smiled upon me.

So here’s where I’ve made two major blunders. One, the shawl collar I told you about. Here it is.

Doesn’t look too bad there, but the back is atrociously sewn, and though the front is, too, it doesn’t look quite so bad because of the stepped edge, which looks like a purposeful ruffle or something. Now, I’ve discovered that the collar will close, and if I re-sewed it, I think it could be saved. But even then – even well sewn – the collar itself is just ghastly with the rest of the jacket. I tried it on over and over again and stared into the mirror, and there is no way it will work. There’s a decided conflict, and I may end up just crocheting the edges with a little picot stitch and letting it go at that, because no collar I picture will look nice, not to mention that the edge already comes up pretty high without any collar. If you have any suggestions at all in regards to collar styles or really anything about the collar, please don’t hesitate to comment, because I really am going distracted about this.

Then there’s error number two. As I said, my original plan had been for the skirts of the jacket to fall away in sort of half circles below the button band, which was to go to the waist. The shape of the jacket changed, but I thought, “You know, it could still look good that way! I’ll make a short button band, and then it will fall open below, like a skirt. The drape will be nice.”

Yeah. Cute idea. Here’s what it looks like.

It looks like a cliff. That sharp edge sucks the grace right out of the garment. I need to soften the whole thing up. I tried some fancy solutions, including improving my crochet skills enough to put little flowers into the corners and then connecting them to the bottom edge via a web of crochet. It looked ghastly, and I ripped it out immediately. The fancy solutions were no good at all, so I’m going with a simple one. I’m going to cut the button bands back off the jacket and open them up again to continue the rest of the way down the edges, but the actual button holes will go no further than they do now. Not as elegant as originally planned, but it will do.

You’d think this would be more discouraging than it is, but I’m actually having a blast. When I was in art school, my very favorite drawing teacher gave us this advice: “When you make a mistake, it’s an opportunity. There are a lot of risks you simply won’t take on a drawing that is going well, because you don’t want to ruin it. Well, if you’ve already ruined your drawing, you have nothing left to lose. Make huge mistakes. Take those mistakes as far as they’ll go. Try out everything you were too scared to try.” I think it was some of the best advice I’ve ever gotten, and I’ve tried to apply it to all of my artistic endeavors. OK, so I made some mistakes. I tried things I haven’t tried before and I got in over my head. That’s OK. Now I know more about how to do those things the right way. Maybe I can find ways to use those mistakes in the future. It’s all an opportunity.

Fair Isle Idyll

October 25, 2006

So it’s not even close to complicated, but isn’t that pretty? I would have preferred a rich red to the turquoise, but that’s the back edge of Gabriel’s self designed sweater, and he wanted turquoise. The blue heather is a very Gabriel sort of color. I enjoyed the cabled rib he chose for the edging, since the cables added a point of interest it wouldn’t otherwise have had. I have yet to start on the front of this one, but it should be a pretty quick knit, though sewing the ends in on intarsia drives me batty.

This is a closeup of the Yorkshire Tweed sweater I’m making for Eleanor. It’s one of those very simple, very classic patterns that is not in itself terribly exciting, but with a good yarn, it look stunning. The color got a little washed out in the bright sunlight, but the blue is a little darker than that, and the flecks are green and purple and oatmeal colored.

My weekly library trip got me two of Lucinda Guy‘s books to ogle and lust over. Her patterns fascinate me, because they’re so, so simple, but really brilliant as well. Nothing too hard to do, but the end result is always something that will be an heirloom. Mr. Kninja found himself enamoured of this blanket:

which features pretty sleeping birds. I’m making Liam’s bedspread (a patchwork quilt), but Mr. Kninja requested a change to the birds. I think I’d like to do both, honestly. I love the birds, too. Ms. Guy’s color sense is impeccable, a quality I have found lacking in many excellent knitting designers. One of my favorite pattern books for kids, Monkeysuits, contains a lot of gorgeous patterns, but I’m usually thinking, “Great! Now change all the colors and remove that collar and it’s perfect!” Lucinda Guy never stoops to using all pastels or all crayon box colors, but find unusual, attractive, and currently trendy combinations that she repeats throughout each section of her books. I usually think, “Wow. I want to make it exactly as it is pictured here,” which is not a thought that often occurs to me with other patterns, though Debbie Bliss has some like that as well.

As everyone and his cat now knows, the new Interweave Knits winter preview is now up, including Eunny Jang’s gorgeous Venezia Pullover. So back on the subject of Fair Isle idyll, I need to find an opportunity this January to knit that sweater, because hot damn! It is gorgeous!

Well, darn.

October 24, 2006

I finished the shawl collar on Maude Louise. It was a good lesson in why shawl collars are a terrible idea on crewneck jackets. My idea worked perfectly, but unfortunately, without a V, a shawl collar makes the collar pretty darn small. I don’t think the jacket will close all the way if I insist on going forward with the shawl collar as it is. The collar has also revealed my weaknesses as a seamstress, so altogether this was not my finest idea. Heck. I’ll take some pictures, because everyone deserves to look at mistakes. At least I now know how to make a shawl collar, should I wish to do so again. They seem to be very of the moment, at least to judge by the number viewed in the window at Brooks Brothers this weekend.

Also of note, regarding shawl collars: toughs of the Prohibition Era loved to wear them. No, really. See, this weekend I chose to watch The Public Enemy (1931) with James Cagney. Cagney played, of all things, a Prohibition Era tough. In one scene, he and his pal Matt, played by Edward Woods, are both wearing beautiful shawl collared cardigans, square ties, and fabulous looking slouch caps. I was unable to follow the scene well because those cardigans were fascinating. I don’t know what this says about the knitting obsession. Anyway, the movie was excellent, and I was intrigued at the possibility of shawl collars for men. I’ve only ever seen them for women.

Twined Knitting

October 19, 2006

A couple of weeks ago, I checked a book out of the library for reading in my downtime. It just looked like an interesting book, so I thought I’d try to read it when I had a chance. It’s called Twined Knitting, and it’s by Brigitta Dandanell and Ulla Danielsson. I’m finally getting a look at it now, and it’s amazing! I looked it up on Amazon in the hopes of purchasing a copy, and sadly, it’s out of print and starts at $57.95. I suppose the book is famous in the annals of knitting history and I’m only now coming to it, but I have come to it.

It would be a shame to let this book fall by the wayside. Here’s what I’m going to do. I may not have the best camera, I may not be the best photographer, but I’m going to renew the book, Xerox some of the charts and pictures, and I’m going to start learning twined knitting, which I will update on here with picture of my progress and tutorials as well. Since I’m going to be learning, I’ll be making a lot of mistakes, but at the very least I can pass on some of the information in this wonderful book. Knitty has a nice tutorial to get anyone started with twined knitting, so that seems like a good place to start, and then we’ll take it from there. Really, in many ways the twined knitting is the least of it. It’s more that this book contains so many charts and patterns the likes of which I’ve never seen, and I need to be able to try them out.

I’ll also be transcribing some of the information here about the history of knitting in Sweden. I’m already amazed by the wealth of information in this book, and I’ve barely cracked the surface, so to speak. Wowza.

Twined Knitting

Baila del Pinguino

October 18, 2006

Penguin hat!

Pattern: freestyle knitting, no pattern (Now with link to chart!)
Yarn: Unknown scrap yarn (black with white nubs), Lion Brand Wool-Ease (yellow and wheat)
Yardage: Unknown, but less than a skein of the main color, and very small amounts of the others

Check it out! That’s some mad hat action, yo! I’ve never made a knit hat in the round – actually, I’ve never knit a hat. I always crochet them, because I am just more familiar with crocheted hats than knit hats. Still, I figured it couldn’t be that hard, although I have to confess I was sadly and shamefully puzzled by how to finish the hat once I’d decreased a certain amount. I’d altogether forgotten about the hated dpns. It’s not as much a chore to use them on a hat as it is on gloves, though, so no problem there.

The intarsia isn’t really intarsia. This hat was knit fast and dirty, and I just carried the yarn in back. I know that is a terrible thing to do and I paid the price in how difficult it was to make the yarn loose enough and how it distorted the face in front, but to be honest, I don’t care. It doesn’t show when Liam is wearing the hat, and I think it’s cute. As a matter of fact, Mr. Kninja has requested matching penguin hats for the whole family. Oh my!

Here’s the face up close. If anyone wishes, I can post a chart at some future date.

Penguin face

Of course, you can’t really get an idea of how it looks unless you see it modeled. When these pictures were taken, the owner of the hat was not on hand, but his little sister was happy to help out. (This would be the same little sister who snatched the hat shortly after I finished it and dashed off, shouting, “MINE! MINE!”)

On Nora

Peekaboo!

Peekaboo!

Enjoy!

Sneak preview

October 18, 2006

I’ve finally got pictures for you – so many, I’m going to be breaking them into two or three posts throughout the course of today. I wanted to show you the progress on Maude Louise.

Maude Louise seamed

Here she is all seamed up, sans sleeves, button bands, and collar. You can see a bit of the shaping, but it will be far more dramatic when worn. I’m hoping that the seed stitch texture at the top will create a point of interest and reinforce the shaping. I’ve nearly finished the button bands, which, after a bit of thought, are being knit separately in k1 p1 rib. That way they’ll stretch outward, and the stitch looks like ordinary stockinette, so it looks like an extension of the sweater. I’ve decided on an experimental shawl collar, very daring, since the neck is not V shaped. I have an idea, though, and I think it will work. If not, well, I’ll rip it.

And now the glamor shots.

I like how the waist looks a little like a textural argyle. It’s far more subtle than an argyle would be, but it does make me want to try a shaped pullover with an argyle waist. Wouldn’t that be interesting? This project has excited me the entire way through, and it just doesn’t get less exciting as I go along. It’s really something to make each decision based on my personal aesthetics, abilities, and interests. I look forward to designing more complex things in future.

The week from hell at least yields a penguin.

October 16, 2006

Which penguin, naturally, is not to be found now that the camera is working some of the time, and I figured I’d be able to post it. However, not wanting to put off posting until I can get new pictures, I decided to just go ahead and write something anyway.

My second son, Liam, is on the autism spectrum. It’s been a rough road in many respects, but he’s a bright and funny little guy, and he makes it all worth while. There’s far too much background to this to go into right now, but this past week he had a system overload the likes of which he’s never had and I’ve never seen. Liam’s on the mild end of the spectrum, so the behaviors he exihibited were especially startling and traumatic to me because he’s not expected to behave this way. He had a tantrum that culminated in smashing his head repeatedly against a brick wall. His eyes were shut for about an hour and he lay rigid on the floor, screaming. It was terrifying, and I still don’t know what brought it on, as it started while he was at school, and the only explanation the school had to offer was that he had to stop listening to a book on tape.

When Liam finally calmed down, I was still very shaken. He seems to have no memory of his fit and he went pretty much straight from screaming to being cheerful. I wasn’t recovered so easily as that, and I spent the rest of the day trying to coddle the boy in one respect or another. Therefore, when he expressed a wish to spend Halloween dressed as a penguin, I immediately grabbed a pair of circular needles and cast on. A few hours later, and we had a hat that looks a good deal like a penguin’s head.

The rest of the week wasn’t a whole heck of a lot better. Knitting wise, I’m doing pretty well. I finally figured out the styling I want for Maude Louise’s collar, button band, and sleeves, and work is begun upon the button band. I started the sleeve of Nora’s sweater and cast on for the Seamless Hybrid. But other than knitting wise, I’m not in the best of spirits. I’m still sick, now on antibiotics. I’m anxious about Liam. Mr. Kninja is working exceptionally long hours these two weeks, so his usual help can’t be counted on. I keep making commitments and more commitments. I don’t know how I can keep up with those commitments.

This isn’t very newsy about knitting tonight. I’m sorry for that. I did a lot of knitting this week, I was given a new knitting book, I got new ideas for knitting, but it’s hard to stay focused when I’m so stressed out about other things. Tomorrow is a frighteningly busy day and here I am again, up until one A.M. because I can’t order my time and can’t seem to finish anything unless I stay up late. Tonight it was the signs I promised for the Halloween carnival. I finished those, but I didn’t call most of the people I meant to call, and I forgot until now that I promised to deliver a donation for the carnival tomorrow. I have a window of about half an hour tomorrow when I can maybe pick it up if I remember to. That cuts out the time I was going to take to mail packages.

I don’t seem to be getting anywhere with this and I’m just creating further stress so I’ll end here. Apologies for the discombobulation.

Obscura. No camera.

October 10, 2006

I’m really, really wishing I had a working camera today. I have much to show you, and no way to show you. Le sigh.

Maude Louise has been blocked and seamed. Good heavens, Andean Silk softens up marvelously when it is blocked! It feels like butter. Soft, sleek, warm – this is amazing yarn, and the color just glows. Now, I’m not actually done with Maude, but I would still like to show you my progress. Right now, she’s like a big, strange, fitted tunic vest. I have not done the sleeves, and she needs a button band and a collar, and to be honest, I’m undecided on the technique and style for both of the latter. The sleeves, however, are to be done from the top down, thus eliminating my copious fears of knitting fitted sleeves, only to find that they don’t fit.

The Andean Silk not only blossomed when it was blocked, it did stretch a little, and it remains very stretchy. Thank goodness, because the chest is two inches too small, as planned. It was planned, but still, seeing it in action is something else, and it made me very nervous until I saw how well the fabric stretched. I’m not the most chestally endowed of women, but I was worried that it wouldn’t close across the bosom. As it stands, the seed stitch V at the top, combined with the fact that it’s super super tight, should mean that I’m going to look rather more endowed than I am. Insert smirk here. I really love how this jacket looks to enhance all curves.

I’ve also plowed ahead with Eleanor’s tweed sweater, and that is very nearly done. Whee!

Besides that, I’ve made two swatches for the Seamless Hybrid. I’d like to show you those, had I a working camera, because one is stranded with a very thin, lace weight blue, and the other is plain. I like the plain better, as it happens, but the blue stranded one is pretty, too, just a bit too feminine for a man’s sweater. I was going to make a swatch cap, but to be honest, I’m nervous enough about whether I bought enough yarn, so I didn’t want to risk a large expenditure right at the start. So they’re just ordinary swatches, not quite right for a piece knit in the round, but good enough to have a fairly good idea of gauge. I was nervous about the quality of the Telemark, but I shouldn’t have been. It’s not a scratchy wool at all, and the color is marvelous. I’ve blocked my swatches, and we’ll see if that softens the wool any.

It’s been a very productive weekend knitting-wise, but largely because I’m still ill. I was planning on cleaning up around the house, but instead I made the bed, did the weekly shopping, and proceeded to lie prone on the bed for the rest of the day, knitting and reading. Well, and eating. Oddly, being ill has affected my appetite only in that it is greatly increased from the norm. I’m hoping this means I’m healing, and expending lots of food energy in doing so.

I’m thinking about that hooded jacket Mr. Kninja suggested for the smallest Kninja-lette. I’d like to try a Tomten jacket, but I’m wondering how easy it is to adjust, since the pattern itself calls only for a change of needles and yarn rather than substantive changes to the numbers involved. The 4 ply is very thin, and would require a larger number of stitches. If I double all the numbers or something, I wonder if that would work. My head is swimming just thinking about it. It’s been hard enough getting my thoughts around the math for my own patterns, but daring to trifle with something as mathematically elegant as the Tomten seems presumptuous. Surely wiser heads than mine will know. I will consult others before deciding what to do with that purple wool.

Because I can’t show you a new picture, here’s a picture of my very first sweater ever, modeled by the lovely Eleanor Jane when she was a brand new person. It’s the cardigan from the Red, Set, Go! baby set in Monkeysuits by Sharon Turner. I modified it a bit for the embarrassing fact that at the time I could knit, and I could purl, but I hadn’t learned how to carry the yarn forward and back, so I could not do both in the same row. The fact that this was a problem for a year is the truly shameful part, though the problem was overcome immediately after this sweater was made. I figure sharing this proves that really, anyone can learn to knit.

First sweater


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